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Husbands

by Pale Fire

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  • Record/Vinyl + Digital Album

    12" vinyl version of our latest album 'Husbands' with artwork by Chris Peat, Tall Giraffe Artworks

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  • Compact Disc (CD) + Digital Album

    CD digi-pack version of our latest album 'Husbands' with artwork by Chris Peat, Tall Giraffe Artworks

    Includes unlimited streaming of Husbands via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days
    Purchasable with gift card

      £9 GBP or more 

     

  • Record/Vinyl + Digital Album

    12" Vinyl + Limited Edition CD of our latest album 'Husbands' with artwork by Chris Peat, Tall Giraffe Artworks

    Includes unlimited streaming of Husbands via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days
    Purchasable with gift card

      £19 GBP or more 

     

  • Full Digital Discography

    Get all 6 Pale Fire releases available on Bandcamp and save 25%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Husbands, Husbands, Clucky / All the World, Various Witches, Pale Fire, and William with the Black Dog. , and , .

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1.
Satellites 04:31
Friends used to lead A drunken charge into the summer In your bedroom on Southbridge St You wake suddenly, startled from a dream In libraries In libraries a spider season Say you’ll phone me on your way back home In the quiet light of epiphany There’s a sneaking suspicion That something is missing All our past lives Past lives won't help us tonight Everyone’s in love this year We’ve had our taste of freedom Now it’s time to spit it out You’ve had a taste now wash your mouth out Your babybird brother pecks at your shoulder It’s time for work, so wake up It’s time for work, so wake up, wake up You wear a uniform for someone I don’t know You wear a uniform for someone I don’t know Five years at the airport But you’ve never been on a plane People leave and they dont come back People leave and they dont come back People leave and they dont come back People leave and they dont come back People leave and they dont come back Our children lead A drunken charge into the summer.
2.
King Salt 03:46
I am a third wave Trying to be brave But you fix me with your fierce forensic gaze Asking for forgiveness A moth tied to a flame You don't have a penny to your name Ian McEwan is in love Ladies and gents You heard it here first Married to a pragmatist He is amazed that you exist Praying to St. Christopher For everything you've lost Confusing value with cost Speakers speak of darkness As a language we can use I close my eyes and wait for living proof Ian McEwan is in love Ladies and gents You heard it here first Married to a pragmatist He is amazed that you exist A longed for return The breath that left my lungs I wont look back A disgraced priest Excommunications blessed relief I wont look back A third world war A tape hiss factory floor I wont look back I wont look back
3.
No 1 Son 03:43
Stand and watch the river rushing by Filled with Friday fish and fading light It flows from the spilled table salt of the suburbs to the sea Washes over everyone asleep in the final country Reading writers that take it way too far Subsumed into their terrified white hearts Afternoons are lost in pornographic reverie Underwriting hesitation marks if you're unhappy you'll be free They are on their way to absence And they sleep in bedrooms bathed in blue Running out of roads that rise to meet them And lies to see them through You go out and run til you are thin Baptised by sweat, absolved of sin No.1 son in a war zone turning twenty one Curled up like a question mark sat on the tip of someone's tongue He is on his way to absence And he sleeps in bedrooms bathed in blue Running out of roads that rise to meet him And lies to see him through Do you see red the way we all see red And read the writings on the wall? A chipped tooth, a ragnail nostalgia Empty as a drum A rusted horizon line The slow fade of love one day at a time We are on our way to absence And we sleep in bedrooms bathed in blue Running out of roads that rise to meet us And lies to see us through
4.
Seven Years 05:26
Civilwarland in decline Offers up its hand To the mouth of every stray that Licks the soft white flesh Of salarymen too bored to even take another breath Eleanor is at the sun Trying to undo All of the damage done by The use of the present tense She’s waiting on a friend to make her feel weightless again Everyone here loves you Everybody’s hoping for the best In the shadow of a summer You fell in love with the cruellest kiss Last night I dreamed I was A whisper on the wind A warning of a coming quiet The taste of blood was in your mouth As you took my hand And walked me through these demented lands Everyone here loves you Everybody’s hoping for the best In the shadow of a summer You fell in love with the cruellest kiss Standing there in my black way You were the one punching fuck Only play with the children Fridays drunk after work I was pissing up white walls Dreaming of spiders in my mouth Drowning in the dry heat of Another summer in the South I was stoned and strange and rearranged I was red eyed and dry and high but I Never left your side I was always by your side Everyone here loves you Everybody’s hoping for the best In the shadow of a summer You fell in love with the cruellest kiss
5.
Clucky 03:42
A pin prick under A full flush of stars The white witch of winter Swallows the neon nothingness of pubs Two cars sleep in every driveway Every bedroom bathed in blue Mute shadows fall and flicker In the gravity of a million tiny moons Started out the tallest man on earth Soon turned black as a bible verse Slumped counting sleeping pills like sheep One clean shirt can last a week First fireworks of the new year Shatter the night and disappear Best wishes and whispered I love you's Neighbours too far gone to hear Memory just holds you down Leaves you blue as a bruise Stoned and strange and rearranged Under communion wafer moons And I was back in the haunted summer of '85 Watching dead men cross picket lines They stood up for the Pope and they stood up for the Queen High and low and nothing in between
6.
Husbands 03:18
You are praying for The end of lust For everyone to cover up For the fucking all to stop I am here with you, now I've always been here Never trying, ever failing Never found the time I’m staying at the Thompson Hotel Just burning spoons and going Floor to floor and Room to room down` Corridors of cabbage roses Half blind In secret L.A. In a plainspoken spring In movement, in people Five minutes do not exist And husbands live in luxury Have no history A magazine, a butcherdream A white house on the hill I’m staying at the Thompson Hotel Just burning spoons and going Floor to floor and Room to room down` Corridors of carrot flowers Half blind In the half light Half blind In the half light Singing days of miracle and wonder Days of love and mercy Dazed by youth Turned your light down low Dreamed of tall ships sailing out to greet some queen While Waterpistol lulled you off to sleep In a crow’s nest of worry In a snake pit of money Promise the rag and bone men You’ll roll the address again I’m tired of the Thompson Hotel Tired of burning spoons and haunting Every floor and Every room down` Corridors of cabbage roses Half blind In the half light Half blind In the half light
7.
We are a fiction, we are amazed at our existence We stay drunk for thirteen days A pool for the children Their ancient skin, their loveless fists, our disappointment Arms held out for the summer Ruination on Channel 4 I hope the world is worth waiting for Sleeping twin, sleeping in, just us to start with Separation from within, your nails down my face Our ancient skin, our loveless fists, their disappointment Second children in the trenches Firstborn is deciding what to wear A modern home where i'm not there Hear the landing creak See your mother weep Every living soul Knows before they speak Words are weapons to be used upon ourselves Among the elect A justified sinner Pennies for eyes To help you cross over All the rest die like joy on a Saturday night Blacken pages in the morning Jacket on and out the door The modern world Is worth waiting for
8.
Now you are gone, there is no one to tell me If I'm one in a million Or ten a penny I watch white sheets wave on washing lines They tell me to take it One day at a time I used your secret name and Ruined a year in a single day Long to return breath That left my lungs Each night I lie awake, love And I listen For the distant slumber of the Whifflet train I learned all their words for hope And a hundred words of hate I know they can make it home Before it gets too late I used your secret name and Ruined a year in a single day Long to return breath That left my lungs Here with the various witches Wiping away your kiss Maybe I was away Thinking about things American Water Tanglewood Numbers The Natural Bridge Starlight Walker
9.
Sometimes it's like he speaks through you You don't believe that I believe that But I do As I watch your cracked lips turn blue The make-up is crawling off your face This is what passes for insight under a dull And sickly yellow light All summer, stayed at home with 'Rex's Blues' A record with a sadness we could use Spent a lot of time in darkened rooms With a needle and a spoon The miles fly by when you are On the road to ruin Everyone is waking up If you did not exist Then someone would make you up From the world's last whispered words All summer stayed at home with 'Rex's Blues' A record with a sadness I could use Spent a lot of time in darkened rooms With a needle and a spoon The miles fly by when you are On the road to ruin You washed your hands And watched your hands You washed you hands And watched your hands Strange things happen when you Turn thirty three Stations of the cross just hammer home how hard Having principles can be
10.
Nightlights 03:06
In the shadow of eight Every Friday I kiss the indent made By the body of my waking nightshift life Turn off my phone Lock up the house leave one light on Into your car and into the night A collective belief in the greater good Never seems to be Of any use Never makes the living feel alive Tongue toothache Temptation is its own reward Begin the business Of disappointing children In a clearing lit up by the headlights of parked cars I close my eyes And forget myself again Clumps of police tape tangled up A summer’s forensic afterthought A sad nest of black and yellow vipers Soft snow falls on soft white skin A blizzard of bodies to welcome to in One more time with feeling All the things you think that you can live with And the things you feel that you can’t live without And the spaces in between You can lose your sense of wrong and right It’s after midnight And you’re alone again in the city of dreadful night
11.
Settle 04:51
In sepia, in Kodachrome In every single semi-detached home We all practice letting go It’s the summer of creation You are nineteen and it’s time to live your life Get in line And when he comes for me I will not go willingly I will kick and I will scream Down B roads and C roads From the spilled table salt of the suburbs To the sea Lost in aisles Of endless strip lights Up on trial in the half light Spitting sparks In the half-light spitting sparks Ten years late A yellow house A place where we no longer make a sound You spend your summers in the south Attending milk teeth testimonials You’ve had your taste of freedom, now it’s time To spit it out Lost in aisles Of endless strip lights Up on trial in the half light Spitting sparks In the half-light spitting sparks Panic stricken Dirty dishes and A moon I never knew Running scared and shaking through Running scared and shaking through A pin of Laika fixed to your lapel Cellar door, you once were mine You disturbed a wasp’s nest praying for wiser time A wiser time to come back home A time to leave your top button undone Listening to Independence Day Thinking of the things we wished for The stories that demand to be taken as truth A kiss can feel just like a fist Adding up your reasons to exist
12.
Last I heard you were living in Your mother’s house Just off Southbridge St And you stay in bed all day The neighbours are afraid I am working for the working poor Paid to greet their children at the door Tongue tied and terrified There but for the grace go I The present tense obscures the truth Conveys the urgency of youth Their language shadows the land and sea Repeat once more after me Saying no used to be your own The only thing that you could count on Now days of skin and bone Force you to hold your tongue The present tense obscures the truth Conveys the urgency of youth Their language shadows the land and sea Repeat once more after me My god we’ll die here My god we’ll die here My god we’ll die here My god we’ll die here With their words for love and their words for hate Hope and fear, despair and rage Their language shadows the land and sea Repeat once more after me Round here we’re moving though the cold blue We’re stricken by the moon We fall asleep fat and happy In houses built by guilt Adulthood is filled with Imposters and I’m one One of the very best We’ll be first up against the wall Pulled from our kingsize beds

about

‘Husbands’ is named after the 1970 John Cassavetes film. The album takes the big music out of its pagan places and into the suburbs, evoking feelings of existential disquiet. It is carefully sequenced; cohesive and immersive; twelve tracks that build in form and content to evoke the widescreen indie LPs of the late nineties.

Produced by Jamie Savage and recorded at The Delgado’s legendary Chem 19 studios, 'Husbands' is a richly melodic fever dream lit up by a subversive intelligence working within its lyrics. The album’s twelve songs are Trojan horses smuggling in feelings of disaffection and disappointment.

‘Nightlights’ and ‘Seven Years’ suspect that the weight of responsibility may be too much to bear, however 'Clucky’, ‘A Disaffection’ and ‘Various Witches’ refuse to give in to despair. ‘Husbands’ is an album that recognises that the blues of the verses must give way to the gospel of the choruses. An old trick, granted, but when the melodies are this good it would be churlish to complain. Fans of imperial phase REM and Elbow at their most anthemic will find much to love. Those interested in the Scottish literary scene will be intrigued to know that Booker Prize winning author James Kelman kindly gave the band his blessing to incorporate lines from his short story ‘If It is Your Life’ into the track ‘Various Witches’.

'Husbands' is an album without bombast or bluster. The big choruses are earned; underwritten by the intellectual rigour of lyrics that are allusive and elliptical, yet able to evoke the specific feeling of suburban ennui. Husbands is an album of Rorschach blots; suffused with the guilt of being comfortable, yet still longing for something more. The title track explores the anxiety of influence. The song is one room of a ghostly hotel where spirits wander the corridors, a purgatory of the self; a warning of the consequence of putting your life in the hands of a rock n roll band.

Pale Fire make pop music for those people who feel pressure to put away childish things. Their second album is a meditation on the passing of time and the way that it can fray the ties that bind: friendship, love and community. Their music reckons with unfashionable subject matter: the demands of adulthood. ‘Husbands’ is a word traditionally weighted with responsibility and expectation; indeed the band’s existence itself is an act of protest: six school friends exploring how to navigate and exist in a world that demands the sacrifice of your essential self.

credits

released September 4, 2020

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Pale Fire Glasgow, UK

Pale Fire were formed in Airdrie and Coatbridge in 2011 by a group of bedroom musicians who had attended school together.

Pale Fire make pop music for those people who feel pressure to put away childish things. The music reckons with unfashionable subject matter: the demands of adulthood. It recognises the need to honour your responsibilities while keeping alive your essential self.
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